This year I was determined not to miss out (again) on the mighty Ilkley Literature Festival (ILF) and so I decided to do two things: a) volunteer as a steward; and b) contribute posts to the official festival blog www.pickledegg.info
This is the first of several posts about ILF which celebrates its 40th anniversary this year. On this occasion I was attending as a guest/blogger...
Speaking to a full house, Festival Director Rachel Feldberg entertained us with stories from past festivals and thanked festival contributors for their efforts at the 'Making Waves' exhibition launch on Saturday 28th September. And yet, amongst the celebrations, I was surprised to learn the festival had suffered from several financial crises.
Sounds of the 70s
Finding it hard to believe such a successful festival could have experienced such hardship, I decided to investigate. Gazing wistfully at the wine on offer (why do I always drive?), I climbed the stairs of the 14th century Manor House Museum to the exhibition itself.
At the top I was greeted by the sound of the Sex Pistols' Anarchy in the UK (another surprise!). Humming along to the 70s soundtrack (including Abba's Dancing Queen, Queen's Bohemian Rhapsody and Bob Marley's No Woman No Cry) I was fascinated by displays featuring everything from the very first festival programme to the tools used to carve the Stanza Stones. Other treats included letters from authors, photos, scrapbooks and specially commissioned artwork.
As I read the story boards for each decade there it was: the North's largest literature festival had teetered on the brink of bankruptcy. And not just once. Although not the theme of the exhibition, it made me wonder not only how the festival had survived but also how it had achieved its current success.
Tough Times
According to the story boards, the problems started in 1979 when 'money was tight and the rain was like curtain rods'. By 1981 the country was in recession and the 1981 festival lost £4,000, equivalent to £13,000 today.
Trying to recover its losses, the 1982 festival was reduced to six days, while the Telegraph & Argus (T&A) cried: “Can Festival Survive the Looming Crisis?” Again the festival lost money and in 1984 the T&A ran a story entitled “Last Chance Saloon”. That same year Michael Dawson, the original Festival Director, returned as Chair and some big names appeared on the bill, including Terry Jones, Michael Palin and Alan Bennett. The festival was not only a success, but it made a £5,000 surplus.
All was well until the 1990s. In 1992, to spread the risk and improve cash flow, the festival was split into three smaller events, run in March, June and October/November. By 1996 the festival was solvent again and in 1998 the festival was awarded its first National Lottery grant. The rest, as they say, is history.
The People's Festival
I found both Rachel's presentation and the exhibition expressed the passion and dedication of the organisers and the people of Ilkley. As Rachel explained, the festival was “started and nurtured in Ilkley” and it is still “something very much owned by this town....the people embody what the festival is about.” She believes that “its roots, ideas, principles are the same as those in 1973.” And so it would seem that a combination of innovation, community spirit and sheer Yorkshire grit have made the festival the top international literary event that it is today.
Sunday, 29 September 2013
Tuesday, 24 September 2013
Tracy Chevalier at Wakefield Lit Fest
On Saturday night I drove over to Wakefield to see one of my favourite historical fiction writers: Tracy Chevalier. The evening was so warm that it felt like the middle of summer, making it a shame to be inside, but it was worth it.
There was a definite buzz about the Unitarian Chapel as we waited for the lady herself to appear. And we were not disappointed – after a short intro by the Festival Director Tracy took the stage and gave an entertaining talk including three readings from her new book The Last Runaway. Before, during and after the readings she gave us plenty of background to her book and explained what had inspired her to write it.
Set in Ohio in the 1850s, the story centres around Honor Bright, a single Quaker woman from Dorset who has travelled to North America to join her sister and start a new life. Dealing with themes of loss and slavery, The Last Runaway is Tracy's seventh published novel. Interestingly, it's the first historical novel she has written that's not set in Europe.
Tracy told us she's lived in the UK for 30 years now and to write this book she recalled her own experiences of being an 'immigrant' (her words) - for example, the way things smell and taste differently in another country. She said that tea tastes awful in the US as the water tastes so different to the UK. She explained that being in another country makes you notice the little things rather than the big things (such as politics etc). She finds that everyday foods like butter and milk taste different, trees look different etc. Since settling in the UK she finds she misses little things as well, like fireflies.
Tracy treated us to three passages from her book – the first was when the heroine has just arrived and is noticing all the strange things about her new home. The passage included observations such as the birds being very different to those at home. As always Tracy's writing is simple yet highly evocative and I could imagine arriving in this strange new place and noticing all these little details for the first time.
One of the reasons that Tracy made her heroine a Quaker is partly related to some hearing problems she has (she can't hear the full sound spectrum when there's a lot of noise going on) which has drawn her towards seeking more silence in her life. She's drawn to Quakers as she used to go on a Quaker camp when she was a child and they would spend 15 minutes sitting together in silence every day. These days Tracy spends an hour each Sunday doing the same thing – she finds silence helps her to focus and she wanted to make her protagonist a Quaker for that reason.
Tracy said that novels are about lies, or at least about withholding the truth. This presented her with a problem as Quakers aren't supposed to lie. However, she says that her protagonist ends up lying quite a lot in the end! One of the main themes of the book is slavery – it's set prior to the Civil War, when slavery was legal in the southern states but illegal in the northern ones. However, the northern ones still bought produce (e.g. cotton) from the southern states.
At this time there were always runaway slaves - a lot of them tried to reach Canada, where they would be free. The only way to get there was to get help from the 'underground rail road', made up of people willing to help the slaves escape. Runaway slaves often went to Ohio where they would be safe as long as their owner didn't come to claim them. Honour is opposed to slavery but has never been forced to put her principles to the test.
Tracy likes her protagonists to do things with their hands – she decided that Honor would be a quilter, which meant that she, Tracy, had to learn quilting. Tracy held up a quilt she had made which had been entirely hand stitched – it must have taken her an age to do and I was very impressed! She said she likes making quilts because they are both practical and creative.
After Tracy had finished her third reading, which left us in suspense as to what happened next, she opened up to questions from the audience. I was brave and managed to get a question in at the start (often I never ask anything, but this was Tracy Chevalier of all people!) I asked her if she had any tips for aspiring authors and she gave a really in depth answer about what it's like to be a writer. She explained that not every day is easy - there are days when it's hard to get started and she just stares at a blank page and really has to make the effort to 'pull the story out of herself'. She also explained it's important to have a regular writing routine and make sure you stick to it, whether that be writing at the same time every day or at the same time each Sunday. She also said it was important to get others to read your work and to accept criticism, and to edit A LOT. She explained the first draft is almost the 'easy bit' - the real work is the rewriting/editing.
In response to other questions, Tracy revealed that she doesn't have a detailed plan when she writes, just an idea of how she'd like it to start and finish. As she's writing she tries different ideas as she goes along. She thinks that the best part of writing is not knowing what will happen on the way.
It was noted that all her novels are historical, which she acknowledged but couldn't really say why as she had never studied history. However, in her thirties she started to take an interest in her own family history. She had started to feel settled and wondered where she had come from, which she thinks might link in with historical fiction. She confessed she just can't 'do' contemporary stories and that the only way to get away from herself was to delve into a story in another time and place. She thinks that to be a 'three dimensional' person you need to be aware of the past and where you have come from.
Tracy said she spends a lot of time doing research – she researches until she feels comfortable writing about the time and place in which her story is going to be set. At the moment she is looking into how trees can be transported from A to B and so she needs to find out about tree grafting, something which she will be (physically) doing in the Spring.
She said that very often she thinks she's finished her research but it never really stops – she still has books on Vermeer that she's not yet read! Fortunately she loves learning about new subjects.
When asked if her books contained any kind of message, Tracy said no but she would like her books to inspire people to look back on the past and be aware of where they came from.
As for what she uses to write, Tracy said she uses a particular type of fountain pen to write longhand (!) on plain (NOT lined) paper and in a notebook (again, not lined) which 'feels' like her subject. For example when when writing the Last Runaway she used a notebook with a design and colours that she could imagine her heroine wearing.
And when asked whether she prefers 'real books' or e-readers, she said that although she can see the benefits of e-readers, she preferred real books every time!
With the questions over it was time for the book signing. Yours truly had stupidly left her purse at home, after changing bags earlier. Fortunately I had a copy of Tracy's first book, The Virgin Blue, in my bag and I joined the queue, noting I was the only one without a copy of the new book. When I finally got to the front and handed over my book with an apology, Tracy was very gracious about it, referring to the book as 'an old friend' and kindly signing it for me (phew!)
All in all, a thoroughly enjoyable evening with a highly talented and charismatic lady.
There was a definite buzz about the Unitarian Chapel as we waited for the lady herself to appear. And we were not disappointed – after a short intro by the Festival Director Tracy took the stage and gave an entertaining talk including three readings from her new book The Last Runaway. Before, during and after the readings she gave us plenty of background to her book and explained what had inspired her to write it.
Set in Ohio in the 1850s, the story centres around Honor Bright, a single Quaker woman from Dorset who has travelled to North America to join her sister and start a new life. Dealing with themes of loss and slavery, The Last Runaway is Tracy's seventh published novel. Interestingly, it's the first historical novel she has written that's not set in Europe.
Tracy told us she's lived in the UK for 30 years now and to write this book she recalled her own experiences of being an 'immigrant' (her words) - for example, the way things smell and taste differently in another country. She said that tea tastes awful in the US as the water tastes so different to the UK. She explained that being in another country makes you notice the little things rather than the big things (such as politics etc). She finds that everyday foods like butter and milk taste different, trees look different etc. Since settling in the UK she finds she misses little things as well, like fireflies.
Tracy treated us to three passages from her book – the first was when the heroine has just arrived and is noticing all the strange things about her new home. The passage included observations such as the birds being very different to those at home. As always Tracy's writing is simple yet highly evocative and I could imagine arriving in this strange new place and noticing all these little details for the first time.
One of the reasons that Tracy made her heroine a Quaker is partly related to some hearing problems she has (she can't hear the full sound spectrum when there's a lot of noise going on) which has drawn her towards seeking more silence in her life. She's drawn to Quakers as she used to go on a Quaker camp when she was a child and they would spend 15 minutes sitting together in silence every day. These days Tracy spends an hour each Sunday doing the same thing – she finds silence helps her to focus and she wanted to make her protagonist a Quaker for that reason.
Tracy said that novels are about lies, or at least about withholding the truth. This presented her with a problem as Quakers aren't supposed to lie. However, she says that her protagonist ends up lying quite a lot in the end! One of the main themes of the book is slavery – it's set prior to the Civil War, when slavery was legal in the southern states but illegal in the northern ones. However, the northern ones still bought produce (e.g. cotton) from the southern states.
At this time there were always runaway slaves - a lot of them tried to reach Canada, where they would be free. The only way to get there was to get help from the 'underground rail road', made up of people willing to help the slaves escape. Runaway slaves often went to Ohio where they would be safe as long as their owner didn't come to claim them. Honour is opposed to slavery but has never been forced to put her principles to the test.
Tracy likes her protagonists to do things with their hands – she decided that Honor would be a quilter, which meant that she, Tracy, had to learn quilting. Tracy held up a quilt she had made which had been entirely hand stitched – it must have taken her an age to do and I was very impressed! She said she likes making quilts because they are both practical and creative.
After Tracy had finished her third reading, which left us in suspense as to what happened next, she opened up to questions from the audience. I was brave and managed to get a question in at the start (often I never ask anything, but this was Tracy Chevalier of all people!) I asked her if she had any tips for aspiring authors and she gave a really in depth answer about what it's like to be a writer. She explained that not every day is easy - there are days when it's hard to get started and she just stares at a blank page and really has to make the effort to 'pull the story out of herself'. She also explained it's important to have a regular writing routine and make sure you stick to it, whether that be writing at the same time every day or at the same time each Sunday. She also said it was important to get others to read your work and to accept criticism, and to edit A LOT. She explained the first draft is almost the 'easy bit' - the real work is the rewriting/editing.
In response to other questions, Tracy revealed that she doesn't have a detailed plan when she writes, just an idea of how she'd like it to start and finish. As she's writing she tries different ideas as she goes along. She thinks that the best part of writing is not knowing what will happen on the way.
It was noted that all her novels are historical, which she acknowledged but couldn't really say why as she had never studied history. However, in her thirties she started to take an interest in her own family history. She had started to feel settled and wondered where she had come from, which she thinks might link in with historical fiction. She confessed she just can't 'do' contemporary stories and that the only way to get away from herself was to delve into a story in another time and place. She thinks that to be a 'three dimensional' person you need to be aware of the past and where you have come from.
Tracy said she spends a lot of time doing research – she researches until she feels comfortable writing about the time and place in which her story is going to be set. At the moment she is looking into how trees can be transported from A to B and so she needs to find out about tree grafting, something which she will be (physically) doing in the Spring.
She said that very often she thinks she's finished her research but it never really stops – she still has books on Vermeer that she's not yet read! Fortunately she loves learning about new subjects.
When asked if her books contained any kind of message, Tracy said no but she would like her books to inspire people to look back on the past and be aware of where they came from.
As for what she uses to write, Tracy said she uses a particular type of fountain pen to write longhand (!) on plain (NOT lined) paper and in a notebook (again, not lined) which 'feels' like her subject. For example when when writing the Last Runaway she used a notebook with a design and colours that she could imagine her heroine wearing.
And when asked whether she prefers 'real books' or e-readers, she said that although she can see the benefits of e-readers, she preferred real books every time!
With the questions over it was time for the book signing. Yours truly had stupidly left her purse at home, after changing bags earlier. Fortunately I had a copy of Tracy's first book, The Virgin Blue, in my bag and I joined the queue, noting I was the only one without a copy of the new book. When I finally got to the front and handed over my book with an apology, Tracy was very gracious about it, referring to the book as 'an old friend' and kindly signing it for me (phew!)
All in all, a thoroughly enjoyable evening with a highly talented and charismatic lady.
Friday, 23 August 2013
Festival Mania and the Return of the Wandering Muse
It's coming up to that time of year again - literary festival season! Like buses you wait and wait and...you get the idea. I'm just not sure why all the West Yorkshire literary festivals are in September and October, most of them overlapping with each other, the bigger ones often eclipsing the smaller ones. And, unless you have an infinite budget, you have to be a lot more selective than you'd like when it comes to choosing which events/workshops to attend. I try to attend at least one event/workshop at each festival - this year I'll be attending four festivals (maybe even five) - thank goodness some events are free. And for those on a limited budget there's often the option to volunteer, meaning you get to attend some pricey events and workshops for free and hopefully get to chat to authors a bit more than you would otherwise. In fact the Ikley Literature Festival encourages its workshop volunteers to participate. So, I've decided to put myself forward as a volunteer for this year's festival. I've supported plenty of events in the past so am hoping they'll take me on. If they do I'll let you know how it goes and whether I recommend it.
The good news is I've finally located Peskalia (the new name for my Muse). In fact, I've not only found her but she's been popping up day and night with some pretty good ideas. In fact, I like one of them so much I might just go for it! The idea will involve a fair amount of research, but I think it will be worth it if I can pull it off. All I'll say is that it will be an MG story involving time travel with more than one POV, plenty of adventure and lots of drama! I'm quite excited about it at the moment - I just hope I can do it justice.
Anyway, thanks to everyone who came up with suggestions on how to find inspiration - they were much appreciated! I hope you continue to find inspiration and will do my best to help if you ever get stuck - all you have to do is ask!
The good news is I've finally located Peskalia (the new name for my Muse). In fact, I've not only found her but she's been popping up day and night with some pretty good ideas. In fact, I like one of them so much I might just go for it! The idea will involve a fair amount of research, but I think it will be worth it if I can pull it off. All I'll say is that it will be an MG story involving time travel with more than one POV, plenty of adventure and lots of drama! I'm quite excited about it at the moment - I just hope I can do it justice.
Anyway, thanks to everyone who came up with suggestions on how to find inspiration - they were much appreciated! I hope you continue to find inspiration and will do my best to help if you ever get stuck - all you have to do is ask!
Wednesday, 7 August 2013
Finding your Elusive Muse
Finishing a book.
On the one hand it gives you a great feeling of satisfaction but on the other it can make you feel quite lost. After the rewritten MS has been submitted and you're facing a long, agonising wait for feedback from an agent, what should you do? Start the next book is the cry from those 'in the know'. But it's not that simple. You have vague ideas forming in your mind about the sequel, but what if an editor demands big changes to the first book? So, a new story perhaps? Not easy when you've spent years steeped in a particular world with the same set of characters. Ideas keep popping into your head so you scribble them down one after another. You even start writing a few pieces but these get abandoned soon after and filed in under 'work in progress' or 'story ideas'.
Perhaps it's time to take a break? So you read lots and try to occupy yourself with other activities, although in your heart of hearts you know you should be writing. And you beat yourself up about it. So, what should feel like a good place to be is actually quite unsettling. However, this is might be just me – I'm sure there are plenty of writers out there at this stage who don't feel like this at all. They're probably battling on with the next project and/or basking in their achievements so far. But for those with a restless nature the 'in between' bit can be a frustrating time.
Since finishing my book I've had some great ideas but as yet I've not been compelled to go very far with any of them. Perhaps the answer is to take a complete break from writing? Or should I try writing somewhere else for a change? What do you do when your focus is gone? Where is that pesky Muse when you need her? If you have any suggestions please share them, I'd love to know!
Wednesday, 17 July 2013
2,000 Page Views and a Finished Book!
I'm having a double celebration this week for the above reason. The page views thing is a pleasant surprise but I've been buzzing since Monday night over finishing the sixth draft of my book. Since the fourth draft I've edited out over 12,200 words (approx 14.5%) and I'm as happy with it as I can be with anything I've written (which is never 100%). So, I've handed it over to my trusty 'proofers' to check for typos and ambiguities. I hope they don't suggest too many changes!
It was only June last year that I finished the first draft. In early January I finished the third. Then I sent it to a couple of agents and a competition. The MS had started in the third person, was converted to first and then changed back to the third again on the advice of one of the agents - hence so many drafts!
Unfortunately I finished the MS too late in the day to call or text anyone so had to be content with email and FB and waking up B instead. He told me to calm down and go to sleep (which was fair as it was late) but I was buzzing so much that I had to do a chill-out yoga session and then read (a lot) until I eventually dropped off. I was still buzzing the next day - even my daughter waking me up at 5.30am did nothing to dampen my enthusiasm.
It's been pretty hard getting to this point though as our family have had to face a series of 'challenges' not including the fact I can only work when R is asleep - so that's VERY early in the morning or late in the evening. I've found that mornings work best for me (pre-7am) but it's always a struggle to tear myself from my MS to get ready for work and get R up and out too. And the last couple of days have seemed weird as I've been 'having a break' from writing/editing, something which I rarely do. And now I'm concerned that I better start working on something else soon or I might never start again.
Question: What obstacles have you faced when writing your MS? When do you like to write or, like me, is it dictated to you by circumstance? Do you think writing in short bursts is best or do you prefer to take it at a more leisurely pace? How long did it take you to complete the final draft of your MS?. How much of a break did you have after finishing your MS? Please tell, I'd love to know!
It was only June last year that I finished the first draft. In early January I finished the third. Then I sent it to a couple of agents and a competition. The MS had started in the third person, was converted to first and then changed back to the third again on the advice of one of the agents - hence so many drafts!
Unfortunately I finished the MS too late in the day to call or text anyone so had to be content with email and FB and waking up B instead. He told me to calm down and go to sleep (which was fair as it was late) but I was buzzing so much that I had to do a chill-out yoga session and then read (a lot) until I eventually dropped off. I was still buzzing the next day - even my daughter waking me up at 5.30am did nothing to dampen my enthusiasm.
It's been pretty hard getting to this point though as our family have had to face a series of 'challenges' not including the fact I can only work when R is asleep - so that's VERY early in the morning or late in the evening. I've found that mornings work best for me (pre-7am) but it's always a struggle to tear myself from my MS to get ready for work and get R up and out too. And the last couple of days have seemed weird as I've been 'having a break' from writing/editing, something which I rarely do. And now I'm concerned that I better start working on something else soon or I might never start again.
Question: What obstacles have you faced when writing your MS? When do you like to write or, like me, is it dictated to you by circumstance? Do you think writing in short bursts is best or do you prefer to take it at a more leisurely pace? How long did it take you to complete the final draft of your MS?. How much of a break did you have after finishing your MS? Please tell, I'd love to know!
Tuesday, 9 July 2013
Endless Editing, Hiking in the Heat and the Quest for MG Fantasy Fiction Titles
I've spent most of the last 12 months revising and editing what was my first draft and think I'm almost there! As I'm writing middle grade fiction, one of the biggest challenges has been the wordcount. So far I've cut several thousand words but am concerned it might still be too long! MG fantasy fiction is generally longer than regular MG fiction but I still think I may be pushing it. P and K at my writers' group think I should stop worrying about the wordcount and they are probably right. So, I've promised myself this WILL be the final draft before I resubmit it to that agent who has agreed to read it again. Otherwise I will go mad!
Also it would be nice to work on something else and have something new to share with my writers' group, who I'm sure are bored senseless by me moaning on about the latest draft of the same story!
*Takes short break to eat dinner*
Right I'm back and feeling better for some food. We had a work day out in the Dales today - a 6 mile walk in 31 degrees celsius - far too hot to be doing anything, least of all hiking, but it was good to get out of the office. It was a bit like a school trip except no one got told off and a few people went (temporarily) missing! One of my colleagues has an 11-year-old daughter who likes fantasy/adventure fiction and wanted some recommendations. I suggested the Percy Jackson books by Rick Riordan, The Chronicles of Ancient Darkness by Michelle Paver and His Dark Materials Trilogy by Philip Pullman.
This got me thinking - what ARE the best / most popular middle grade fantasy fiction books right now? Whenever I try to google a list of top MG fantasy fiction I end up with a mixture of genres / ages with loads of YA titles.
I would love to compile a list for reference, reading and recommendation and so, please tell me what you / your children's favourite middle grade fantasy reads are. (Middle grade is generally classed as 8-12 years but I'm particularly focused on 9-11).
Hope you can help!
Sunday, 26 May 2013
Feeling Inspired!
I spent this afternoon at the Saltaire Arts Trail, which the whole family enjoyed. The art displays (inside people's homes!) were of an uber-high standard and it was clear that the artists had put everything they could into their work. Our daughter had a great time trying out several of the (many) activities for children and we had to drag her away at the end!
Moving away from art (although I'd argue writing is an art) I attended a recent author talk at Cleckheaton Library. The author was Mandasue Heller and although her genre and style isn't my usual read I left feeling thoroughly inspired. If ever there was someone who had triumphed over adversity, it was her. And not only has she kept her wicked sense of humour but she was full of encouragement and useful tips for would-be authors such as myself.
And, thanks to my daughter's curiousity and sense of fun, I've been rediscovering my youth through our music collection. Listening to some of these amazing songs has reminded me of my lifelong passion for music which (for reasons I won't go into) I had all but forgotten until recently. She also makes me dance - she won't take no for an answer and now I seem to spend at least 15 minutes of every day singing and dancing with her like a giddy teenager!
These are just three things which have inspired me in recent weeks - things which have helped to spur me on with my final draft which is now (gasp) two-thirds done. I feel as if I'm winning at last and think I should have it finished well before Wimbledon (my self-imposed deadline).
If you've had an inspirational experience (or three) recently, especially one which has helped you with your writing, I'd love to hear about it!
Nicola Taylor - Music for Those Who Listen
Tuesday, 30 April 2013
The Final Draft
On Thursday last week I finished what I thought would be the final draft of my book. Except that it wasn't. I thought I was all done and the story would just need proofing for typos, grammar etc but when I totted up the word count I found it had increased by at least 20%. All feelings of satisfaction ebbed away as it dawned on me that I would have to cut, cut and cut some more to get the wordcount down again. I'm now trying to decide which scenes will stay and which will go, trying to comfort myself with the thought I could use some of the cut scenes in a future book instead. But even with my most trusted readers trying to help me it's still so hard to decide! I'm currently itching to print it out so I can do a proper edit but there's no paper and not much ink left. I've just placed an order on the site that sounds like a very long river and I'm waiting for their delivery. My plan is to print out the whole darn thing and lay it out scene by scene. Maybe then I'll see what needs to go and what should stay? Maybe...
Friday, 29 March 2013
It's All Downhill From Here
I'm about 50% of the way through my final draft and, if I keep this up, I might (although I shouldn't tempt fate) finish well ahead of my self-imposed deadline. It's taken a long time and a lot of hard work to get to this point. The characters and their world become more real to me every day and I often talk to B about them as if they are real people. Fortunately B is very good at humouring me. I sometimes wonder if it's the writing process itself that makes many writers become eccentric, although I suspect that some (like me) were half way there already! It's hardly surprising when you're constantly imagining conversations between fictional characters, especially when they're having arguments with each other!
So, I hope to finish this final draft by late May / early June. Once I've done this and given it one final polish, I'm going to resend it to the nice agent who offered to reread it. The thought makes me excited and a more than a bit scared. I will have done my best but what if she doesn't like it? What if no one else likes it? It's a sobering thought and one I choose not to think about most of the time. It's hard when you've spent years creating something that you hope others will like, especially children. It's a tough old world and everyone's a critic in this digital age. Let's just hope that enough people like it to give it decent reviews.
But better to try and all that. Here's to everyone who ever dared to follow their dreams, regardless of the consequences!
Sunday, 10 March 2013
Anyone for Tennis?
I'm still making steady progress with my book but, as ever, the real battle is the internal one.
My greatest enemy has always been self doubt, a common affliction especially for writers and would-be writers when it comes to believing in their work. For me it's a battle I think I'm winning. At the moment every negative voice is being slammed down by a positive one. But I think there are many fantastic writers out there who we've never heard of simply because they don't believe in themselves enough. And yet they are as good as and sometimes superior to many writers who are already published! I wish I could make them believe how good they are and convince them they can succeed. And if I ever do get published and get to teach creative writing I reckon it would be worth spending half the class working on people's confidence. It's a bit like the top tennis players - they all have the same skill set / level - in the end those that win are the ones with the psychological edge.
Regarding my work, I've promised myself that the book will get finished and resubmitted before the summer's out. Maybe it'll even be finished in time for Wimbledon?
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